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PRODUCTION
PRODUCTION SUPERVISOR/MANAGER
1. The Production Supervisor/Manager reports directly and immediately to the person performing the Co-Producer/Line Producer or UPM functions.
2. The Production Supervisor/Manager has the primary responsibility for the logistics of the production of the motion picture, from pre-production through the completion of production.
PRODUCTION COORDINATOR:
1. The Production Coordinator reports to the person(s) receiving the Produced By credit, the Co-Producer/Line Producer the Production Supervisor/Manager or UPM.
2. The Coordinator interacts with various studio and production departments concerning any and all logistics of production and is responsible for facilitating production requirements including, but not limited to, equipment contracts, purchase orders, film inventory, insurance, day player contracts, crew deal memos, travel and shipping, call sheets, production reports, cast and crew lists, and compliance with various union report requirements.
ASSOCIATE PRODUCER
1. The Associate Producer credit is granted solely on the decision of the individual receiving the Produced By credit, and is to be granted sparingly and only for those individuals who are delegated significant production functions.
2. The Associate Producer is responsible for performing one or more producing functions delegated to him/her by the individual receiving the Produced By credit and the Co-Producer. This does not include persons whose primary function is as an assistant.
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POST PRODUCTION
POST-PRODUCTION SUPERVISOR
1. The Post Production Supervisor reports directly to the Co-Producer/Line Producer.
2. The Post Production Supervisor is responsible for the coordination and oversight of the entire post production process, but not primarily as a production company executive.
POST PRODUCTION COORDINATOR
1. The Post Production Coordinator reports directly to the Post Production Supervisor.
2. The Coordinator is responsible for facilitating post production functions as assigned by the Post Supervisor, which can involve interaction with various studio and post production departments concerning any and all aspects of the logistics of post production, such as working with the vendors, helping prepare day player contracts and crew deal memos, scheduling ADR, making travel arrangements, distributing paperwork, maintaining crew lists, etc.
ASSOCIATE POST-PRODUCER
1. The Associate Post-Producer credit is granted solely on the decision of the individual receiving the Produced By credit, and is to be granted sparingly and only for those individuals who are delegated significant post-production functions.
2. The Associate Producer is responsible for performing one or more producing functions delegated to him/her by the individual receiving the Produced By credit and the Post-Production Supervisor. This does not include persons whose primary function is as an assistant.
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VISUAL EFFECTS
VISUAL EFFECTS PRODUCER
1. The Visual Effects Producer reports directly to the individual receiving the "Produced By” credit and/or the Visual Effects Supervisor.
2. The Visual Effects Producer is responsible for a film’s visual effects budget and schedule across at least two of the three phases of a motion picture’s pre-production, production, and post-production process.
VISUAL EFFECTS CO-PRODUCER
1. The Visual Effects Co-Producer reports directly to the Visual Effects Supervisor and/or the Visual Effects Producer.
2. The Visual Effects Producer is responsible for overseeing several Visual Effects Coordinators and/or assuming many of the day-to-day tasks of the Visual Effects Producer.
VISUAL EFFECTS COORDINATOR
1. The Visual Effects Coordinator reports directly to the Visual Effects Co-Producer.
2. The Visual Effects Coordinator is responsible for facilitating visual effects functions as assigned by the Visual Effects Co-Producer, which can involve interaction with various production and post-production departments concerning any and all aspects of the logistics of visual effects.
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